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Grace Bible Church

4000 E. Collins Rd.   P.O. Box #3762   Gillette, WY  82717   (307) 686-1516

 

- Preaching the Living WORD through the Written WORD - 2 Tim 4;:2 -

 

 

 

THE SONG OF DEBORAH - Part 2

Judges 5:19-31, 8/7/13

Grace Bible Church, Gillette, Wyoming

Pastor Daryl Hilbert

 

I.     THIRD PERIOD (40YRS): DEBORAH AND BARAK AGAINST CANAANITES (4:1-24) (4:1)

II.    THE SONG OF DEBORAH (Jdg 5:1-31)

 

A.    Heading of the Song (Jdg 5:1)

B.    Praise of the God of Israel and His People (Jdg 5:2-3)

C.    History of Israel’s Deliverance by God  (Jdg 5:4-8)

D.    Celebration of  Israel’s Deliverance by God (Jdg 5:9-11)

E.    Raising Up of Israel by God (Jdg 5:12-18)

F.     Deliverance in Battle by God (Jdg 5:19-22)

1.     Battle Against the Kings” (Jdg 5:19) - This part of Deborah’s song describes the battle and the divine deliverance of the Lord (cf. Jdg 4:12-16). The mention of plurality of “kings” coming and “fighting” suggests that there was an alliance under Jabin’s rule. This alliance is mentioned as the “kings of Canaan” that came from the surrounding area of Taanach and Megiddo (probably the same location called “Har-Magedon” in Re 16:16; 17:12-14; 19:11-21). The result was that they were defeated by the Lord and therefore “took no plunder in silver.”

2.     Divine Intervention in Battle (Jdg 5:20-22) - The phrase “stars fought from heaven” is poetical imagery of divine intervention in the battle against Sisera.

a)    It was the Lord who “routed” (hamam - commotion and confusion) Sisera’s chariots from Barak’s attack (“edge of the sword,” Jdg 4:15). In a season when the Kishon River was low, its banks overflowed in a “torrent.” Apparently, God brought a thunderstorm which caused the chariots to be bogged down and swept away in a flash flood.

b)    The souls of Deborah and Israel were infused with strength and encouragement to “march on” to pursue and defeat Sisera’s army. In a poetical manner, Deborah describes the fleeing horses with onomatopoetic drama (“dashing”….dashing”, “galloping”…”galloping”, Heb. “daharah”…”daharah”)

G.    Cursing and Blessing of Israel by God (Jdg 5:23-27)

1.     Curse of Meroz (Jdg 5:23) - Deborah records a curse from the Angel of the Lord. It is a curse against Meroz, which could be a city seven miles south of Kedesh-Naphtali, the city of north of Mt Tabor called Merom, or a city along the escape route of Sisera’s army.

a)    The sons of Israel who lived in Meroz were guilty of not coming to aid in the battle against Sisera. Though Deborah had mentioned several tribes unwilling to fight, this emphatic curse (“utterly curse”) comes from the Angel of the Lord Himself.

b)    The divine curse was more severe to this group because not only were they under the oppression of Jabin, but they dwelt in the immediate area of battle.

2.     The Blessing of Jael (Jdg 5:24-27) - In contrast to the cursing, blessing is also reflected in Deborah’s Song. True to Deborah’s prophecy, the honor of slaying Sisera came from the “hands of a woman” (Jdg 4:7).

a)    Jael was pronounced, “most blessed of women” (similar to Mary, Lk 1:42), because God has bestowed upon her the honor of defeating Israel’s archenemy.

b)    She was the wife of Heber the Kenite, but had more faith in the Lord than did her husband who betrayed Israel’s army (Jdg 4:11-13). Jael was an honorable “woman of the house” (tent).

c)     It appears that she was even honorable in her hospitality. When Sisera asked for mere water, she gave him a more precious commodity of milk. She even gave the curds to him in a fine and majestic bowl.

d)    At some point Jael realized that the Lord had given the victory to Israel over Sisera. She reached for a tent peg in one hand and reached for a hammer in the other. The descriptive details made their way in Deborah’s poetic song. Jael “hammered” (halam) Sisera with a “hammer” (halmuth) and smashed his head. She shattered through and pierced his temple. In poetic fashion, she nailed God’s enemy, and nailed him good.

e)     Though there are varied suggestions of the poetic meaning of vs. 27, the NASB seems to convey an appropriate one. The reference is that Sisera, the king’s commander “bowed” down (kara - bow down, cf. Is 45:23) before the honorable Jael in exhaustion and in death.

H.    The Mourning of God’s Enemies (Jdg 5:28-30)

1.     The song shifts from a woman of honor (Jael) to a woman of mourning, Sisera’s mother. Though it may appear insensitive, destruction upon enemies was somewhat typical language of ancient wartime poetry. For such language would be consistent with David’s imprecatory psalms, which are filled with pronouncements of destruction upon God’s enemies (Ps 5, 6, 11, 12, 69, 109). Furthermore, the scriptures record that Jabin “oppressed the sons of Israel severely for twenty years” and deserved the Lord’s retribution.

2.     Sisera’s mother “looked and lamented” waiting and wondering about the return of her son. She neither saw nor heard the iron chariots.

3.     In her royal household, the “princesses” could only give her false assurance of his return. Sisera’s mother would attempt to control her emotions and fears by reciting their false assurances.

4.     But the character of their mourning reveals the evil hearts of God’s enemies. The women wonder if their victors were taking long because they were dividing Israel’s spoils and riches. They even cheered themselves in the thought that their men were ravishing themselves with the delight of raping helpless women, “A maiden, two maidens for every warrior.” Surely, they thought, Sisera and his army were plundering beautiful garments and embroidery for their own pagan maidens and wives.

I.     The Final Chorus of Warning and Peace (Jdg 5:31)

1.     The final chorus is a depiction of a “holy war” against God’s wicked and rebellious enemies. It becomes a necessary reminder to all nations who curse Abraham’s descendants. They will indeed “perish” (Ps 68:1-2). No one can prevail against the Lord.

2.     But to those who love the Lord, they will experience daybreak in dark times. God’s Himself will mightily cause the rising of the sun upon His people. They will experience blessing and peace from the Lord Himself.

3.     The author adds his own epithet to conclude that “the land was undisturbed for forty years.”

 

III.  OBSERVATIONS AND APPLICATIONS

 

A.    Deborah’s song reiterated the necessity to be part of the battle during a time of war. Only this reiteration came from the Lord Himself (the Angel of the Lord). There must not be another Meroz Bible Church. Spiritual battle is not by volunteerism in the Lord’s army. We need not wait for the battle. It is upon us on every side. The iron chariots of atheism, unbelief, and lukewarm religion must be drowned with the clashing of swords from the Lord, the word of God. It is the constant sound of the hoof beats of God’s faithful people that must be heard, taking the gospel to captive hearts. The persistent sound of driving the pegs of God’s principles must be heard in our churches, grounding believers in the Christian life through the Word.

B.    There must always be women of honor in the church, but not in the absence of men of honor. The Bible states, give honor to whom honor is due. The church must not die in the wilderness hopelessly looking to give away such due honor. Every man, woman, and child who profess the name of Christ, ought to be adorned with the title, “most blessed.”

C.    The light and the warmth of the rising of the Son ought to cast rays in every dark corner that is touched by those who love the Lord. Blessing and peace ought to characterize God’s people. Though the land may be disturbed, the faith and hearts of believers should have a undying song of God’s daily and divine deliverance. For by the cross, He has routed the enemy.